When Father Michael is conducting a funeral service for a woman, he notices an oddly shaped birthmark on her neck, exactly like his own. What comes next is a journey of self-discovery through the grieving process. Will Father Michael get the answers he so desperately wants to find?
The cathedral was silent, veiled in the heavy air of loss. Shadows from towering candles flickered along the marble floor as mourners dressed in black filled the pews, their heads bowed in reverence.
A funeral in a cathedral | Source: Midjourney
Eleanor, known throughout the community as a generous but reserved woman, had left behind both a sizable fortune and an enduring mystery.
Father Michael took a deep breath, the weight of yet another funeral pressing on him as he approached her casket. He’d never met Eleanor in person, yet something about her presence had always seemed familiar, almost hauntingly so.
As he moved closer, a strange compulsion stopped him. It was something that he couldn’t explain.
A priest in a cathedral | Source: Midjourney
He paused, then leaned in, bowing his head to begin the prayer. But as he did, his gaze drifted to her neck, and he froze.
Just behind her ear, a small, purplish birthmark stood out against her pale skin. It was almost shaped like a plum, the same shape and color as the one he had carried his whole life.
“How?” he muttered. “What does this mean?”
A woman in a casket | Source: Midjourney
A chill shot through him, his hand reaching up to press against his neck. He was well aware that everyone was looking at him, but still, he couldn’t help himself.
This is impossible, he thought.
His heart hammered as memories flooded him, half-forgotten sounds and incidents from his years in the orphanage, from the searches for any record of his parents. The longing he’d held onto for so long stirred within him, demanding answers.
A little boy standing in a room | Source: Midjourney
Is there a connection between Eleanor and me? he wondered.
After the service, as the organ played its final verse, the mourners began to disperse, and Father Michael approached Eleanor’s children. They were all clustered near the altar, as her daughters decided who was taking home the floral bouquets.
His request hung on his lips like a prayer he wasn’t sure he was ready to speak.
A close up of a priest | Source: Midjourney
“I’m sorry for interrupting,” he said. “But I… I need to know something.”
“Of course, Father,” Jason, the youngest son, said. “Whatever you need.”
“I just wanted to know if there’s any chance that Eleanor… if she might have had a child. Another child, I mean. Years ago. Many years ago?”
Eleanor’s eldest son, Mark, frowned deeply, exchanging a wary glance with his siblings.
A frowning man | Source: Midjourney
“I’m sorry, Father, but what are you saying?” he asked. “Do you know something we don’t?”
“Did our mother come to you in confidence? Was there a confessional?” one of the daughters asked.
Father Michael took a deep breath and swallowed his nerves.
A close up of a priest | Source: Midjourney
“I don’t know,” he said, looking at Mark. “And no, your mother didn’t come to confessional. But I have reason to believe that it is true… If… if I could request a DNA test, just to put this to rest, I would be grateful.”
A wave of discomfort swept over the group, some of them shifting uncomfortably. Mark’s face hardened, skepticism clearly written all over.
“With all due respect, Father, this sounds preposterous. Trust me, our mother was an upstanding woman. She would have told us if something like this were true.”
A woman looking surprised | Source: Midjourney
Father Michael shifted on his feet.
“I understand that,” he said. “It’s just that Eleanor could have had her child very young, and while she wouldn’t have done anything wrong by allowing that child to be adopted, the child still exists.”
Father Michael knew he was speaking as a priest, but he couldn’t turn it off. He had been trained to speak softly and objectively. And even now, he didn’t know how to fight for this DNA test.
A priest looking uncertain | Source: Midjourney
Instead, he nodded and began to back away before anything else happened.
“Wait,” Anna, Eleanor’s youngest daughter, said. She stepped forward, her gaze soft as she studied him.
“If you believe that it could be true, then I’ll do the test. I’d want answers, too. Are you the child?”
“I could be,” Father Michael said. “It’s that birthmark on her neck. I have it, too. And when I was at the orphanage, the old woman who was in charge of the kitchen said that all she could remember of my mother was the birthmark on her neck.”
A smiling woman | Source: Midjourney
A week crawled by, and each day, Father Michael found himself tossing in his bed as he imagined what it would mean if it were true. Then, one morning, an envelope arrived at the rectory. He tore it open, barely able to see through his shaking hands as he read the results.
It was a match.
Days later, Father Michael sat alone in the rectory. Since the results had come out, he had visited Eleanor’s family, hoping they would be willing to listen now the results were concrete information.
DNA testing | Source: Midjourney
Eleanor’s daughters, his half-sisters, were ready to welcome him into the family, but the brothers didn’t want anything to do with him. It was as though having a new “big brother” was too threatening for them.
He didn’t know what else to do. He wasn’t going to fight for a way into their lives and their family. He wasn’t going to push himself in. But it did help that he knew where he belonged now.
Except… the one person with all the answers wasn’t around anymore.
A priest sitting in a cathedral | Source: Midjourney
“Father Michael?” an elderly woman’s soft voice brought him back to the present. “I’m Margaret, a friend of your mother. I was Eleanor’s best friend. Her daughter, Anna, told me everything when I went to have tea with them.”
“How can I help you?” he asked.
Her words struck him like a blow. Your mother. He motioned for her to come in, barely able to speak as they settled into chairs across from each other.
An elderly woman standing in a doorway | Source: Midjourney
Margaret took a deep breath, her eyes misting over.
“Father,” she said. “Eleanor and I were close, closer than sisters, even. She told me things that no one else knew.”
He leaned forward, his heart pounding.
“Please, I need to know everything. I spent my entire life wondering where I came from.”
A priest sitting in an office | Source: Midjourney
Margaret gave a sad smile.
“She was always so careful, our Eleanor. Always afraid of what people would think. But one summer, she met a man, a traveler, a free spirit. He was very different from who we were back then. And she said that he was like no one she’d ever met.”
Father Michael closed his eyes, imagining his mother as a young woman, full of life, swept away by the prospect of love. He didn’t speak; he was afraid that if he interrupted, the truth would slip through his fingers.
A smiling young couple | Source: Midjourney
“She didn’t even tell me at first,” Margaret continued. “When she found out she was pregnant, she was terrified. Her family had expectations. A child born out of wedlock would have ruined her. So, she concocted this story, and she told everyone that she was leaving for the North Pole, studying penguins of all things.”
The old woman chuckled and sighed.
“I thought it was absurd, but she left. She had you in secret and arranged for you to be taken to the orphanage.”
A pregnant woman holding her belly | Source: Midjourney
Father Michael’s throat tightened, emotions too tangled up to unravel.
“She gave me away to protect her reputation?” he asked.
“Oh no, Father,” she said. “It wasn’t about reputation, it was about survival. Eleanor loved you. I knew that. She would check in at the orphanage from time to time.”
“She asked about me?” he asked.
The exterior of a building | Source: Midjourney
“Oh, yes,” Margaret said, smiling. “She kept track, as best she could. She couldn’t be in your life, but she made sure you were safe.”
Father Michael’s heart ached.
“I spent my life thinking that she’d abandoned me. And all this time, she… she was watching from a distance?”
A smiling older woman | Source: Midjourney
“She didn’t forget you. It broke her heart, Father. She loved you in her own, quiet way. She just had to do this because it was either this or… who knows what your grandfather would have done.”
She’d loved him, even if he’d never felt it, even if she’d never told him herself.
In the weeks that followed, Eleanor’s family decided to embrace Father Michael with cautious but open arms. Anna became a steady presence at the rectory, often stopping by with scones or muffins and ever-ready to fill him in on family stories, recounting memories of Eleanor.
A basket of muffins | Source: Midjourney
One afternoon, as Father Michael sat in his office, Anna came by with a small, worn photo album.
“I thought you might want this,” she said, placing it in his hands. “It’s… all the photos we have of Mom. Maybe they’ll help you piece her together.”
An old album on a table | Source: Midjourney
The next day, Father Michael found himself at Eleanor’s grave.
“I forgive you,” he said. “And I thank you for watching over me.”
Flowers on a grave | Source: Midjourney
If you’ve enjoyed this story, here’s another one for you |
A Homeless Man Approached Me and Showed Me a Birthmark on His Neck Identical to Mine
I never imagined a quick lunch break would lead me to the man who might be my father — a homeless stranger with the same birthmark as mine. As we wait for the DNA test result that could change everything, I can’t shake the feeling that my life is about to take a turn I never saw coming.
I stepped out of the office, loosening my tie as I hit the street. The sun was glaring, and the city buzzed around me, but all I could think about was grabbing a quick bite before my afternoon meetings. Work was nonstop these days, but that’s what comes with the territory. I’ve worked too hard to get here to complain now.
Man walking in the city | Source: Pexels
Growing up in that old trailer with Mom, life wasn’t easy. We didn’t have much, but she made sure we had enough. Mom, Stacey, was a force of nature.
This work is inspired by real events and people, but it has been fictionalized for creative purposes. Names, characters, and details have been changed to protect privacy and enhance the narrative. Any resemblance to actual persons, living or dead, or actual events is purely coincidental and not intended by the author.
The author and publisher make no claims to the accuracy of events or the portrayal of characters and are not liable for any misinterpretation. This story is provided “as is,” and any opinions expressed are those of the characters and do not reflect the views of the author or publisher.
Drew Barrymore and her grandfather’s friend Vincent Price together in 1984…Check c,o,m,m,e,n,t,s below
Even though there are dozens of different experts that work on the appearances of characters in movies, they aren’t immune to making mistakes. And in the end, viewers may catch these fails in makeup or costume choices that couldn’t have possibly existed during the time in which the movie was set.
We at Bright Side decided to watch some of our favorite movies and read some fashion history books to find the mistakes makeup artists and costume designers have made in popular films.
Gone with the Wind
No matter how trendy Scarlett O’Hara was, she couldn’t have predicted the clothing trends for decades in advance. Her famous slim-fitting red dress with feathers and rhinestones has nothing to do with Civil War fashion — it was inspired more by styles from the 1930s and 1940s.
Julius Caesar
In the 1953 film, most of the female characters wore extravagant bullet bras. In Ancient Rome, women would wear a strophium, a prototype for the modern bra, but these weren’t bullet bras.
Legends of the Fall
Trying to create a romantic look, costume designers ignored the historical facts. Brad Pitt’s character has beautiful blonde hair and facial hair but these things were unacceptable for the time period. More and more men were choosing to don big mustaches and short hair at this time.
King Arthur
The film, which is set in the fifth century, portrays knights in heavy metal armor. But until the fourteenth century, such armor was made of leather, and only mail armor was made of metal.
Harry Potter and the Order of the Phoenix
The film is about events that happened in the ’90s and the clothes look pretty accurate, however, they’re still not perfect. Dudley Dursley is wearing G-Unit shorts — a brand that was created by 50 Cent in 2003.
Hello, Dolly!
The movie is set in New York at the end of the nineteenth century when such a hairstyle, lip gloss, and eye makeup didn’t exist. But the movie still got 3 Oscars and became one of the most important films of the decade.
Queen Margot
Throughout the entire film, the characters are wearing beautiful dresses with open shoulders. They look great but in the sixteenth century, women never ignored shifts (or chemise in French). These pieces of clothing protected them from the cold, absorbed sweat, and were really easy to wash.
Another mistake costume designers made was the way the main character’s hair was let down. Based on the few portraits we have of Margaret of Valois, she had curly hair that she wore up.
The Danish Girl
The Danish Girl starts in 1926 but in the first half of the film, we see women in slim-fitting clothes that have nothing to do with the fashion of the 1920s.
At the beginning of the film, Gerda has a hairstyle that was actually quite outdated for the setting that favored waved or bobbed hair.
A Dangerous Method
In one scene, Keira Knightley appears only in her corset, which is a contradiction to the original rules that came along with wearing this piece of clothing. A woman would never wear a corset alone.
Bonus: Mary Queen of Scots
In Mary Queen of Scots, Saoirse Ronan is wearing asymmetric earrings, which were non-existent in sixteenth-century Scotland.
In your opinion, do you think such mistakes are serious or no big deal?
Preview photo credit A Dangerous Method / Recorded Picture Company
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