The morning sun glinted off the dew-covered grass as Alan hurried down the street, his heart pounding a frantic rhythm against his ribs. He had found an old, battered phone on the sidewalk, a relic from a bygone era. Curiosity had gotten the better of him, and he’d inserted the SIM card into his own phone. The call that followed had shattered his ordinary morning and thrust him into an unexpected role: rescuer.
“Julie, I’m coming to get you,” he had promised, his voice steady despite the tremor in his hands.
Now, standing in front of the apartment building, a wave of apprehension washed over him. What would he find inside? What kind of danger had befallen this little girl?
He cautiously knocked on the door, his knuckles white. Silence. He knocked again, louder this time. Still, no answer.
Worried, Alan called the police. While he waited, he tried to peer through the windows, but the blinds were drawn. He imagined the little girl alone in the apartment, scared and helpless.
Finally, the police arrived, two officers with stern faces and concerned eyes. They listened to Alan’s story, their expressions growing grimmer by the second. After a brief discussion, they forced the door open.
The apartment was small and sparsely furnished, a poignant picture of a life lived in simplicity. Dust motes danced in the single shaft of sunlight piercing through the grimy window. But it was the silence that was most unsettling, a heavy, suffocating silence that seemed to amplify the ticking of his own heart.
Then, he saw her. Julie, curled up on a threadbare rug, her face pale, her eyes wide with fear. She looked smaller, more fragile than he had imagined.
One of the officers knelt beside her, his voice gentle, “Julie? Are you alright?”
Julie, her voice barely a whisper, nodded slowly.
The police officers, after assessing Julie’s condition, contacted child services. Alan, feeling a strange sense of responsibility, stayed with Julie, offering her a comforting smile and a reassuring pat on the head. He bought her a small stuffed animal from a nearby convenience store, the bright colors a stark contrast to the gloom that had settled over the apartment.
As he watched the ambulance pull away, carrying Julie to the hospital, Alan felt a strange sense of purpose. He had stumbled upon a situation he never could have anticipated, but he knew he couldn’t walk away.
He spent the next few days making calls, trying to find any information about Julie’s mother. He contacted local hospitals, checked missing persons reports, and scoured social media for any clues.
The search proved to be frustrating. Julie, it turned out, had been living with her mother in a homeless shelter before they moved into the apartment. There was no record of any family members.
But Alan wasn’t going to give up. He visited Julie every day at the hospital, bringing her books, drawing supplies, and stories. He became a constant presence in her life, a beacon of hope in the midst of uncertainty.
The days turned into weeks, and Julie slowly began to open up. She told him about her mother’s dreams of finding a stable home, of providing a better life for her daughter. She spoke of her mother’s love for nature, her passion for painting, and her infectious laughter.
As Julie recovered, Alan began to investigate further. He visited the homeless shelter, spoke to the staff, and learned about the challenges faced by homeless families. He discovered a network of organizations dedicated to helping children in need.
He wasn’t just a programmer anymore. He was an advocate, a protector, a beacon of hope for a child who had lost her way. And as he watched Julie smile, her eyes sparkling with a newfound joy, he realized that sometimes, the most unexpected paths led to the most meaningful destinations.
Drew Barrymore and her grandfather’s friend Vincent Price together in 1984…Check c,o,m,m,e,n,t,s below
Even though there are dozens of different experts that work on the appearances of characters in movies, they aren’t immune to making mistakes. And in the end, viewers may catch these fails in makeup or costume choices that couldn’t have possibly existed during the time in which the movie was set.
We at Bright Side decided to watch some of our favorite movies and read some fashion history books to find the mistakes makeup artists and costume designers have made in popular films.
Gone with the Wind
No matter how trendy Scarlett O’Hara was, she couldn’t have predicted the clothing trends for decades in advance. Her famous slim-fitting red dress with feathers and rhinestones has nothing to do with Civil War fashion — it was inspired more by styles from the 1930s and 1940s.
Julius Caesar
In the 1953 film, most of the female characters wore extravagant bullet bras. In Ancient Rome, women would wear a strophium, a prototype for the modern bra, but these weren’t bullet bras.
Legends of the Fall
Trying to create a romantic look, costume designers ignored the historical facts. Brad Pitt’s character has beautiful blonde hair and facial hair but these things were unacceptable for the time period. More and more men were choosing to don big mustaches and short hair at this time.
King Arthur
The film, which is set in the fifth century, portrays knights in heavy metal armor. But until the fourteenth century, such armor was made of leather, and only mail armor was made of metal.
Harry Potter and the Order of the Phoenix
The film is about events that happened in the ’90s and the clothes look pretty accurate, however, they’re still not perfect. Dudley Dursley is wearing G-Unit shorts — a brand that was created by 50 Cent in 2003.
Hello, Dolly!
The movie is set in New York at the end of the nineteenth century when such a hairstyle, lip gloss, and eye makeup didn’t exist. But the movie still got 3 Oscars and became one of the most important films of the decade.
Queen Margot
Throughout the entire film, the characters are wearing beautiful dresses with open shoulders. They look great but in the sixteenth century, women never ignored shifts (or chemise in French). These pieces of clothing protected them from the cold, absorbed sweat, and were really easy to wash.
Another mistake costume designers made was the way the main character’s hair was let down. Based on the few portraits we have of Margaret of Valois, she had curly hair that she wore up.
The Danish Girl
The Danish Girl starts in 1926 but in the first half of the film, we see women in slim-fitting clothes that have nothing to do with the fashion of the 1920s.
At the beginning of the film, Gerda has a hairstyle that was actually quite outdated for the setting that favored waved or bobbed hair.
A Dangerous Method
In one scene, Keira Knightley appears only in her corset, which is a contradiction to the original rules that came along with wearing this piece of clothing. A woman would never wear a corset alone.
Bonus: Mary Queen of Scots
In Mary Queen of Scots, Saoirse Ronan is wearing asymmetric earrings, which were non-existent in sixteenth-century Scotland.
In your opinion, do you think such mistakes are serious or no big deal?
Preview photo credit A Dangerous Method / Recorded Picture Company
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