Brenda Lee’s name may not be as recognizable as some of the other music stars from the 1960s but when you think of Christmas, you’ll know her song, and start humming her catchy tune, “Rockin’ Around the Christmas Tree.”
When Lee, now 78, first hit the stage, she wasn’t old enough to drive but her powerful vocals steered her “unprecedented international popularity” as the most successful female artist of the 1960s.
Lee, whose voice defied her diminutive stature at only 4 foot 9, became a fan favorite when she was only 12.
Brenda May Tarpley, born in 1944, got her start in the late 1940s, became huge in the 1950s, and over her career–that started before she left elementary school–she topped the charts 55 times, earning the title as the most successful female recording artist of the 1960s.
When Lee was only eight (according to Rolling Stone), her father, a construction worker, was killed at work and little Brenda–who then changed her last name to Lee–became the family’s primary provider.
Taking care of her younger brother, big sister, and mother–a cotton mill worker–was not a duty, but something she wanted to do. She said that she was thrilled when she made her first $20, so she could help her family: “Even at that young age, I saw that helped our life,” Lee said, adding “It put some food on the table. It helped, and I loved it.”
The Atlanta-born chanteuse, called a “pioneer of early rock and roll,” by the Georgia Encyclopedia, achieved “unprecedented international popularity in the 1960s.”
But, an incredibly humble human, Lee credits those who helped her achieve her dreams. When Christianity Today asked what she thinks about being a legend, Lee said “I don’t think of myself that way!” She continued, “I’m just a girl who’s been blessed to be doing what I’m doing, and there’s a lot of people who’ve sweated a lot of tears and put a lot of life’s work into me to be able to have my dream. So, if I’m a legend, then they’re legends, too.”
In 1956, the young girl joined country star Red Foley for a show at the Bell Auditorium near her home in Augusta, and she belted out “Jambalaya,” by Hank Williams.
She was then signed to appear on Foley’s Ozark Jubilee, a country music show, where millions of viewers fell in love with the sassy 12-year-old whose talent was developed well beyond her age.
In the same year, Lee signed with Decca Records, and the next year, she moved to Nashville, Tennessee, and fusing country with rhythm and blues–highlighted by her hiccupping vocals–she recorded early rockabilly classics like “BIGELOW 6-200,” “Little Jonah,” and “Let’s Jump the Broomstick.”
When asked if–when as a young girl–she was nervous performing in front of large crowds, she answered: “No, not really. Nobody ever told me to be nervous. The stage always felt like a hometown to me because I had been in front of people ever since I was 3 years old, singing to people. So it was a very comfortable spot for me.”
In 1957, Lee earned the nickname “Little Miss Dynamite” for her pint-sized powerhouse recording of the song “Dynamite,” and in 1958, fans heard “Rockin’ around the Christmas Tree,” a genre and generation-crossing holiday standard, released when she was only 13.
“I knew it was magical,” she told Rolling Stone.
Over the next couple of years, she charted with hits like “Sweet Nuthin’s,” “All Alone Am I,” and “Fool #1.”
Most of her songs, however, contradicted her experience as a young girl. Her mother didn’t let her date and she graduated high school not understanding the heartbreak of young love.
She was only 16 when she said “Love could be so cruel” in the song “I’m Sorry” and only 16 when she said “I want his lips to kiss me” in the song “I Want to be Wanted,” both back-to-back hits when she was still in school.
And when she turned 18, she met Ronnie Shacklett, whom she’s now been happily married to for 60 years.
Life on the road for Lee as a youngster had its difficulties. She celebrated her 12th birthday in Las Vegas and speaking with the Las Vegas Journal, Lee explained her loneliness.
“Of course, I wasn’t even allowed to walk through a casino, I was so young. So I didn’t even know what a casino looked like. They took me into the kitchen, then into the showroom. And then when my show was over, I was brought back out through the kitchen and back up to my room. Children weren’t allowed … in the casino area.” She continued, “There wasn’t anything to do in Vegas for a kid. The most fun I had was on the stage.”
Speaking on what she missed out on as a child, the award-winning Lee said, “Many times, I yearned to be with my friends rather than be out there on the road.”
Turns out she made new friends on the road, like with the music group that opened for her at a 1962 show in Germany. “I hung out with John,” she says effortlessly, speaking of John Lennon. “He was extremely intelligent, very acerbic with his jokes, just a gentle person. When I found out that they later said they were fans of my music, I was just floored.”
A Mom Faces Criticism for Painting Stretch Marks on Her Daughter’s Doll
In an age where unrealistic beauty standards and airbrushed images saturate media platforms, one mother’s bold decision has ignited a fierce debate. Instead of following what everyone else thinks, she did something empowering and accepting. She painted stretch marks on her daughter’s doll.
Kate writes books for kids.
Kate Claxton, is a talented author dedicated to inspiring children. Among her notable works is the multi-award-winning picture book, “My Mum’s a Tiger!” Crafted with love and a profound understanding of the challenges faced by many, Claxton created this heartfelt story as a cherished gift for her baby’s first birthday.
Little did she know that her creation would transcend personal boundaries and resonate with countless individuals around the globe. “My Mum’s a Tiger!” serves as a powerful reflection of the experiences of numerous real-life people who grew up being told that their scars, stripes, spots, and so-called ’flaws’ should be concealed.
She has body-inclusive dolls for her kids at home.
Claxton not only writes empowering books but also practices what she preaches in her own home. Recognizing the importance of body inclusivity and normalizing the beauty of individuality, Claxton provides her children with body-inclusive dolls. As much as she adores her acclaimed work, “My Mum’s a Tiger,” which beautifully embraces tiger stripes and other unique features, Claxton understands her daughter’s fascination with dolls and their ability to be dressed and undressed.
Consequently, she took it upon herself to modify one of these dolls, adding the very stripes that so many people cover up. Claxton believes in embracing differences and encourages others to do the same, offering a poignant line from her book: “Let’s take what makes us different and instead of trying to hide, let’s be more like animals and wear our marks with pride.”
Some people criticized her for painting the dolls.
Inevitably, not everyone embraced Kate Claxton’s initiative of painting the dolls. But Claxton takes pride in the fact that her Barbie craft session sparked conversations and stirred up reactions. However, she acknowledges that reading the comments can sometimes be disheartening, particularly when encountering individuals who completely miss the point.
Among the critical comments, one person questioned the motive behind painting the dolls, asking, “Why make young girls worry more about their bodies? I’ve got no stretch marks, so maybe it would be better to teach them about being positive rather than negative about their bodies.” Another comment echoed a similar sentiment, stating, “Why make girls worry more all the time? I had three kids and no stretch marks. Make them think positive.”
She doesn’t listen to the mean comments.
Despite encountering some less-than-supportive remarks, Claxton chooses to scroll past those comments, refusing to let them overshadow the positive impact and meaningful discussions her efforts have generated. While acknowledging these differing viewpoints, Claxton remains committed to her mission of promoting positivity and fostering a healthy body image in children.
Another mom that received a lot of attention for her unique parenting style was actress Kristen Bell. Known for her refreshing approach to raising her children, Bell brings a combination of compassion, empathy, and open-mindedness to the table. In a candid moment on her podcast, Kristen Bell openly shared a personal anecdote about her daughter’s developmental journey, revealing that her daughter wore diapers until the age of 5.
Preview photo credit reallyratherwild / Instagram
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