In the interest of the saint, please stop reversing into parking spaces!

Reversing into a parking space often seems like a good idea, but it also comes with some challenges. It can be difficult to judge the space required and maneuver safely, and there’s a chance you might miss something important in your reversing alerts, leading to potential accidents. Even with modern safety technology, reversing into tight spots can still be prone to error. Aside from the safety concerns, it can also be frustrating for other drivers to have to wait while you slowly back into a parking space, especially in crowded parking lots. In some places, reversing into a parking space is even prohibited due to the risks involved.

When reversing, drivers need to be extra aware of their surroundings, especially in high-traffic areas or busy parking lots. Without backup cameras or warning systems, maneuvering can be difficult. Newer cars may have cameras to help with this, but not all have these features.

Reversing into gaps can be dangerous because many drivers lack the skills to do so safely. Aside from battling with other vehicles and pedestrians, it’s also easy to miss obstacles. This can lead to serious accidents involving both drivers and pedestrians. Additionally, taking up more than one space when reversing is inconsiderate of other drivers, and in tight parking lots there may not be enough room behind you to maneuver safely. Even the most skilled reverse parkers often take longer than those who park upside down.

Ultimately, the potential risks and delays often outweigh the perceived benefits of backing into a space. Head-first into a parking space is generally safer and more convenient for everyone. It provides better visibility and minimizes the risk of collision or damage to vehicles. For larger vehicles or pickup trucks, backing into a spot can be particularly challenging due to the size and location of the spot relative to other vehicles.

In some areas, reversing is not permitted for safety reasons. Without visible brake lights when reversing, other drivers and pedestrians may not see you stop, increasing the risk of an accident. While reversing is possible in some winding parking lots, it is often a nuisance and a potential danger to those around you.

In summary, reversing into parking spaces can be risky and often not worth it. It can cause accidents, inconvenience other drivers and even result in parking tickets. For safety and convenience, it is best to park head first.

Catherine Deneuve: The 60s Icon Who Still Stuns the World With Her Timeless Beauty

It’s been nearly sixty years since 24-year-old Catherine Deneuve and her older sister Françoise Dorléac starred as twins in *The Young Girls of Rochefort*.

The movie, which also featured a young Gene Kelly, was the last film the sisters made together. Deneuve went on to become internationally famous, while Françoise’s life and career were tragically cut short.

Born into an acting family, Deneuve, now 79, made her first appearance in the 1957 French movie *The Twilight Girls*. Her big break came in 1960 when she starred in *The Umbrellas of Cherbourg*, a romantic musical that highlighted her French style and innocence, launching her into stardom. This was just the beginning of many films she would make with director Jacques Demy.

Her talent for dramatic roles caught the eye of legendary director Roman Polanski, who cast her in the psychological thriller *Repulsion*. Deneuve’s brilliant performance as Carol, a mentally troubled woman, earned her the nickname “ice maiden.” This image was solidified in her next film, *Belle de Jour*, where she played a housewife who secretly works as a prostitute—a role that won her awards and global fame.

In 1963, Deneuve became a mother, having a son with French screenwriter Roger Vadim. She later had the chance to star alongside her older sister, Françoise Dorléac, in the 1967 musical *The Young Girls of Rochefort*. The two sisters were very close, and with their similar looks, playing twins in the movie felt natural.

But just three months after *Rochefort* was released, tragedy struck. Françoise, at only 25, died in a car accident, a moment Deneuve describes as the most painful in her life.

“The day I lost my sister, I lost my joy of living… it is the most painful thing I have experienced,” she shared in an interview with *Paris Match*, a French weekly magazine.

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The loss of her sister didn’t slow down Catherine Deneuve, who became the epitome of 1960s glamor, often seen as a femme fatale wrapped in Yves Saint Laurent.

Deneuve, known as the face of French cinema, has appeared in over 120 films throughout her 60-year career. Reflecting on how the industry has changed, Deneuve explained, “Human nature is vast. There are roles more suited to people of my generation. As you age, it’s the same in life—you gain experience and play characters you couldn’t when you were 30.” She added, “It’s hard to find the right path. You can age better in Europe than in America. But women today look younger than they did 50 years ago. Back then, a 50-year-old woman looked her age. Now, not so much.”

Despite her worldwide fame, Deneuve has mostly starred in French films, with only a few roles in English-language films.

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Catherine Deneuve explained why she mostly supports French cinema, saying, “I feel very French, but I speak Italian and English, so I feel very European. However, I don’t feel close to English people. Even though England is not far, their sensibility and character are very different.” She added, “I feel closer to Spanish or Italian people because the Latin character is different from the Anglo-Saxon one. We have different educations and cultures.”

Some of her English-speaking roles include *The April Fools* with Jack Lemmon (1969), *Hustle* with Burt Reynolds (1973), *March or Die* with Gene Hackman (1977), and the 1983 cult classic *The Hunger*, where she played a lesbian vampire alongside David Bowie and Susan Sarandon.

In 1972, Deneuve divorced British photographer David Bailey, whom she married in 1965 after meeting at a Playboy shoot. Their wedding guests included Mick Jagger. From 1970 to 1974, she was in a relationship with Italian film icon Marcello Mastroianni, with whom she had a daughter in 1972.

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In 1980, Catherine Deneuve delivered an award-nominated performance in *The Last Metro*, starring alongside another famous French actor, Gérard Depardieu. This marked the beginning of a successful collaboration, as they would appear in 15 films together.

Deneuve mentioned that she and Depardieu have similar work styles, saying, “We are both instinctive actors. We prefer to arrive on set and figure things out in the moment rather than rehearse ahead of time.”

In the 1990s, Deneuve received an Oscar nomination and a César Award (France’s national film award) for her role in the French period drama *Indochine*. The film, released in 1992, also won an Oscar for Best Foreign Language Film.

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The 2000s introduced Catherine Deneuve to new roles, including the award-winning musical drama *Dancer in the Dark*, where she starred alongside the unique Icelandic singer Björk. In 2010, she reunited with Gérard Depardieu for the eighth time in the film *Potiche*.

After appearing in the 2019 film *The Truth* with Ethan Hawke and Juliette Binoche, Deneuve was filming the French movie *Peaceful* when she was hospitalized due to a stroke. Although her family described it as a “very limited” ischemic stroke, production on the film was delayed until July 2020, when the then 76-year-old actress was able to return. Deneuve, who had smoked since she was 16, finally quit after her month-long hospital stay.

Honored with a lifetime achievement award at the 2022 Venice Film Festival, the French icon, who celebrates her 80th birthday this year, continues to thrive, and we look forward to seeing her in many more films!

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