The story of Earl Holliman’s journey to Hollywood is one of aspiration and perseverance. In 1943, Holliman was 14 years old and adamant about wanting to be a movie star.
Raised in Oil City and Mooringsport, rather than Shreveport as is frequently stated, he traveled via a number of locations before arriving in Hollywood.
He first went to see relatives in Camden, Arkansas, and from there he bused himself to Texarkana. He took a rideshare to Hollywood from there.
Holliman had worked the night shift at a diner close to Barksdale Air Force Base and as a theater usher, so he had saved some money. A serviceman he met at the cafe even gave him a lead on a place to stay, which turned out to be in El Monte, California, a good distance from Hollywood. Looking back on his trip, Holliman acknowledges that it was a dangerous decision that wouldn’t be prudent in the modern day.
DAILY LIFE IN HOLLYWOOD
After his initial try in Hollywood failed, Holliman made a quick trip back home before deciding to serve in the Navy. But his desire to be a movie star never went away. Later on, he went back to Los Angeles to continue his education at the University of California, Los Angeles and the Pasadena Playhouse.
Holliman’s perseverance was rewarded. With parts in “Giant” (1956), “Forbidden Planet,” “The Rainmaker,” and “The Sons of Katie Elder,” he amassed an amazing reel of cinematic credits. Additionally, he gained recognition for his television appearances, most notably in “Police Woman” with Angie Dickinson and in “The Thorn Birds” with Richard Chamberlain and Rachel Ward.
Holliman remembers his Hollywood days fondly, especially his first morning there. Wearing dark glasses and a silk shirt with short sleeves, he strutted in front of Grauman’s Chinese Theatre, wondering if anyone thought he was a celebrity. The naive hopes of youth were present in that moment.
Check out the image below to see Earl Holliman’s current age of 95:
I Invited My Parents for Dinner, but When I Saw What They Did to My Daughter, I Kicked Them Out
This story was beautifully and poignantly told, capturing the challenges of generational dynamics, especially the responsibility of shielding a child’s innocence and sense of self-worth. Lily’s vulnerability and the father’s steadfast support made for an emotional narrative. The father’s memories of his own struggles with his parents’ relentless criticism heightened the stakes, showing a determination to break that cycle for Lily.
The progression from his initial nervous hope to his powerful stand for his daughter’s well-being underscores the strength it takes to confront deeply ingrained family patterns. He refuses to let his own painful history repeat with his daughter, emphasizing the importance of kindness and encouragement. That quiet moment afterward—him sitting alone, absorbing the night’s events—brought a touching depth, illustrating the cost of such resolve and the loneliness often felt in doing what’s right.
The ending left a hopeful impression, showing Lily’s resilience and her father’s unwavering support as she sits at the piano, fingers ready to try again. This story is a reminder of the generational cycle-breaking we often take on, fueled by love for our children.
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