When Cynthia Rhodes wasn’t “Staying Alive” on the dance floor with John Travolta, she was “Dirty Dancing” with Patrick Swayze.
Rhodes, who will turn 67 in November 2023, had a great career with famous dance movies from the 1980s. However, she chose to step away from the spotlight at the height of her fame.
Keep reading to find out why this talented actress, singer, and dancer retired so early!
Cynthia Rhodes was born in Nashville, Tennessee. She started her acting career with a small role in the 1980 musical fantasy film **Xanadu**, which starred the late Olivia Newton-John and Gene Kelly.
Her role as Tina Tech, a dancer in the 1983 film **Flashdance**, led to a bigger part later that year as John Travolta’s love interest in **Staying Alive**, the sequel to **Saturday Night Fever**, directed by Sylvester Stallone.
In 1987, she played her most famous role as Penny Johnson, a dance instructor at a resort hotel in **Dirty Dancing**.
In her role as Penny, Cynthia Rhodes shows off her amazing dance skills with graceful and flashy Mambo moves alongside the late Patrick Swayze. She also shares some very emotional and heartbreaking scenes with him.
Rhodes described her character Penny as having an “edge.” Penny both charmed and shocked viewers as she dealt with a difficult storyline involving a botched illegal abortion.
The film includes a socially relevant subplot about reproductive rights, with Rhodes at the center of it all. This helped position the three lead characters—Swayze as Johnny, Jennifer Grey as Baby, and Rhodes as Penny—for stardom.
“She’s from South Philly and she’s had a rough life,” Rhodes said about her character. “She’s got a sweetness about her, but it’s hidden because she’s been through a lot, and she has sort of put up a wall.” Rhodes added, “In the end, I think she finally realizes that life does go on.”
Life went on for Cynthia Rhodes, but not in the way her fans hoped.
After training for ten hours a day to prepare for her role as Penny, Rhodes found dancing to be “really hard.” She shared, “That’s why I keep saying I’m never going to dance again. I’m tired of dancing. My bones are hurting, and my back hurts all the time.” She added, “Every time I say, ‘That’s it, I don’t want to dance anymore,’ I get another film. I’m not going to turn down work! I feel very fortunate to be in films that involve dancing. But I just want a chance to do some dramatic work without dancing. Just give me a straight acting part.”
In the same year that *Dirty Dancing* was released, the 31-year-old Rhodes, who had many role options and admirers, appeared in the music video for “Don’t Mean Nothing” by Richard Marx. He is also known for the song “Right Here Waiting,” which was famously written for Rhodes in 1989.
In 1989, Rhodes married the Grammy Award-winning singer Richard Marx, and the couple welcomed their first child, Brandon, in 1990. They later had two more sons, Lucas in 1992 and Jesse in 1994.
According to Marx, Rhodes, who had previously trained for the Olympics, decided to retire in 1990 to focus on raising their children. He mentioned that this choice was also due to the “intense physical pain” her dance moves caused her.
“I thought, ‘This won’t last; she’s definitely going to want to come back to work and do films.’ But she found fulfillment in being a mom that completely overshadowed any desire she had to make movies,” Marx, now 59, explained. “Even if you’re her biggest fan, as good as you think she was as a dancer, singer, or actress, you should see her as a mom.”
Rhodes, who began dancing at just three years old, found that she was much happier being a mom and giving her body the rest it needed.
“The thing was, I used to never be sore. In fact, I was a gymnast. Now it’s frustrating… I never used to stretch, but now I have to stretch before I dance. I love to dance, but if I never did it again, I wouldn’t be sorry,” Rhodes said.
Since then, she hasn’t looked back. The last time she appeared on screen was in the 1991 film *Curse of the Crystal Eye.*
The former Hollywood starlet divorced Marx in 2014, and he married MTV’s first Latina host, Daisy Fuentes, the following year.
As for her sons, all three are following in the footsteps of their famous parents. Brandon is now a music producer and singer, while Lucas has made a name for himself as a singer and actor, appearing in TV series like *The Chicago Code*, *The Mob Doctor*, *Chicago P.D.*, and *Parenthood*. The youngest son, Jesse, has joined a metal band and is working on his own music.
Dancing requires a high level of athleticism, so while we miss seeing Cynthia Rhodes, we completely understand why she chose to leave Hollywood.
What are your favorite films featuring her?
Gary Burghoff AKA Radar from ‘M*A*S*H’ Always Kept His Left Hand Out of View – Five Times We Could See It
The hit 1972 sitcom “M*A*S*H” introduced the world to a number of memorable and beloved characters, from the smart-mouthed yet compassionate Captain Benjamin Franklin “Hawkeye” Pierce to his endearing friend, Captain B.J. Hunnicutt. Almost every character had stuck in the minds of the fans.
One of the characters that often featured but was easily overlooked by his military counterparts due to his nervous nature was the 4077 MASH unit’s company clerk, Corporal Walter Eugene “Radar” O’Reilly. Although many of the staff on the base tended to take Radar’s effort for granted, the fans sure noticed him.
Radar was portrayed by the acclaimed actor Gary Burghoff from the start of the TV show in 1972 until the seventh season, which aired in 1979. Although fans clamored for more of the unassuming clerk, Burghoff revealed that he needed to step away from the show to rekindle his personal relationships and fight burnout.
“M*A*S*H’s” Influence and Burghoff’s Personal Identity
Although Burghoff enjoyed playing Radar, the role became increasingly demanding. The actor commented that it became difficult to separate himself from his character in the eyes of the public, which soon became tedious. He also noted that he despised being fawned over by the crowds:
“Aw, I know I’m cute. Cute, cute, CUTE! I was always cute because I was always the smallest kid on the block. I hate cute.”
Everyone saw Burghoff as an adorable, short, timid character as they’d known him on-screen and on the stage for many years. However, after years of being looked down upon, both metaphorically and physically speaking, Burghoff grew tired of the persona so easily attributed to him by scores of people he had never even met.
The actor lashed out against this view of him as a cute little fellow by defending his height. As he so rightly pointed out, 5 feet 6 inches isn’t irregularly short, and he would have seen the tops of Arte Johnson or Mickey Rooney’s heads had they ever met. Nonetheless, the persona stuck.
Luckily for all his fans, Burghoff didn’t let his disability stand in his way, and he pursued his dream of becoming an actor.
Despite his misgivings about how others perceived him, Burghoff’s fellow cast members adored him. The director Charles Dubin recalled working with Burghoff before he left “M*A*S*H,” noting how caring and pleasant Burghoff was to everyone on set. However, Burghoff had another aspect of himself that drove down his self-esteem.
Burghoff had been born with a congenital disability called Brachydactyly, a form of Poland Syndrome. The condition left the actor with three fingers on his left hand that were noticeably smaller than the rest of his digits, and the abnormality had plagued him since he was a small child. The actor commented:
“Of course, this defect affected me while I was growing up. I suppose when I was very young, I knew my disability would set me apart and make me special.”
Luckily for all his fans, Burghoff didn’t let his disability stand in his way, and he pursued his dream of becoming an actor. Yet, becoming a fan-favorite on one of the most iconic TV shows America had ever produced never managed to quell his insecurities about his stout fingers and stocky frame.
Throughout his run on “M*A*S*H,” Burghoff tried to hide his left hand from the camera. He would often position himself so that the camera could only see one side of his body and usually gestured with his right if the scene required it, although the actor would be obligated to use both hands now and again.
In one of the earliest episodes, viewers were introduced to Radar as he stood in an open area, wearing a greyish shirt and his trademark cap. As the actor turned around and looked at the sky — once again hearing approaching helicopters before everyone else — the camera briefly panned over both his hands holding a football.
When Colonel Sherman T. Potter first made his appearance on the show, taking over from the beloved Lieutenant Colonel Henry Blake, Radar and the new commander shared a scene where they first met. As Colonel Potter exited the room to find the latrines, the camera centered on Burghoff’s upper body as he opened a box with both hands.
Another infamous scene caught Burghoff with both hands on camera. During a regular morning salute, with the loathsome Major Frank Burns leading the ceremony, Radar does his usual morning salute with a bugle. In a hilarious twist, one of the men fires off the ceremonial canon at Burns’s behest.
Naturally, Radar gets the short end of the stick as the cannonball flies directly at him, knocking his instrument clean out of his hands. In the next few seconds, Burghoff turns toward the camera in a pantomime of rage, balling his fists and stomping in outrage. Here, both his hands can be seen for a brief second.
In one of the later episodes, the writers showed off Radar’s softer side when he cuddled his pet guinea pig, Babette. Naturally, Radar stood with his left hand beneath his right, but just as he started to sing, Father John Mulcahy called for him. Burghoff’s hands were visible again as he put the Babette away.
One of the scenes where Burghoff openly showed his left hand came as part of another gag the show pulled. At the start of the scene, Radar could be seen walking across a dirt road while two other military personnel walked away from the camera. The man on Radar’s right first lifted his hand in salute, followed shortly by one on the left.
Radar, the pleasant character he was, lifted his right hand in response to the first salute, as military etiquette dictates. Caught off guard by the quick second salute, Radar lifted his left hand as well, essentially performing a double salute. Feeling sheepish, he frowned and lowered his hands slowly in one of Burghoff’s classic displays of confusion.
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