Michael Jackson’s only daughter Paris proud of African-American roots, identifies as black

Paris Jackson, the only daughter of late pop star Michael Jackson, opened up about her African-American roots and how proud she is of that, as well as the criticism she received.

Paris, 25, was born to parents Billie Jean hitmaker and Debbie Rowe in 1998.

Over the years, there have been speculations that Jackson wasn’t the biological father of his three children, Paris and her two brothers, Bigi, 22, and Prince, 27. This was due to the fact that that many couldn’t see any resemblance between the late star and the kids, especially Paris who has white skin, light eyes and now bleached-blond hair.

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The kids were very close with their father who went to great lengths to protect them from media scrutiny. His measures were unlike, however. He would show his son Bigi to the public with his face covered with a blanket, causing him troubles while growing up because his friends often teased him. He now prefers to be called Bigi.

Following the star’s death in 2009, his children were tossed alone in the public eye, turning them a highly profitable prey for the media that were eager to share their photos and followed their every step.

This experience left Paris battling a post-traumatic stress disorder (PTSD).

“I experience audio hallucinations, sometimes, with camera clicks and severe paranoia and have been going to therapy for a lot of things, but that included,” she shared.

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By age 15, Paris attempted suicide “multiple times” and in 2019 she was admitted at a treatment facility. “It was just self-hatred…Low self-esteem, thinking that I couldn’t do anything right, not thinking I was worthy of living anymore.”

Today, she’s a successful musician who follows into her father’s footsteps. Over the years, she has also walked the runway for famous brands such as Chanel. Paris is a member of the band The Soundflowers.

“Everyone in my family does music. I mean, I’m a Jackson,” she said in 2020. “It makes sense that I’m a musician but like, a Jackson doing folk indie?”

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Paris is very close to her brothers and looks up to Prince. “He’s everything to me, you know?” In 2020, she told People of her relationship with her older brother. “I’ve always looked up to him and always wanted his approval and everything, and wanted to be more like him.”

He loves and supports his younger sister as much. “Basically, as a person, she is who my dad is. The only thing that’s different would be her age and her gender,” he said of Paris, adding that she’s similar to her father “in all of her strengths, and almost all of her weaknesses as well. She’s very passionate.”

The physical appearance of the King of Pop underwent significant changes over the course of his life and many accused him of bleaching his skin, which was considerably darker in his younger days, but he claimed he had never done anything to his skin and that it turning white was a result of Vitiligo, during an Oprah interview in 1993.

“I am proud of my race. I am proud of who I am,” Jackson told Winfrey at the time.

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Back in 2017, speaking of herself, Paris told Rolling Stone magazine she “considers [herself] black,” and that “[Michael] would look me in the eyes and he’d point his finger at me and he’d be like, ‘You’re black. Be proud of your roots.’”

“Most people that don’t know me call me white. I’ve got light skin and, especially since I’ve had my hair blond, I look like I was born in Finland or something,” she said. “And I’d be like, ‘okay, he’s my dad, why would he lie to me?’ So I just believe what he told me. [Because], to my knowledge, he’s never lied to me.”

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This declaration of race triggered criticism on Paris. Among the rest, it was host Wendy William’s that mocked Paris’ statement.

 “I get that she considers herself black and everything, but I’m just talking about the visual because you know…black is not what you call yourself, it’s what the cops see you when they got steel to your neck on the turnpike.”

She added: “It’s what they see. But that’s cute and good for her.”

Joy Behar Calls Dolly Parton’s Jolene Anti-Feminist And Fans Come Unglued

There doesn’t seem to be a shortage of viewpoints these days, and people are willing to argue almost anything. The View, where the hosts explore some of the most fascinating subjects, is one venue where these discussions frequently take place.

Joy Behar, one of The View’s members, recently sparked a heated discussion by questioning the renowned country song “Jolene” by Dolly Parton, implying that it might have anti-feminist connotations.

Behar even went so far as to declare that Beyoncé’s more current rendition of “Jolene” was better. People’s attention is being drawn to the intense conversation that has been ignited by this comment.

Joy Behar is not afraid to voice her opinions, and she made sure the show’s producer knew that she preferred Beyoncé’s performance of “Jolene.” Behar claims that Dolly Parton’s rendition of the song displays possessiveness and insecurity, especially when Parton is pleading with the mistress not to take her lover.

This notion, according to Behar, is antifeminist because it suggests that women should be worried that their men might cheat on them because they are attracted to other women. She feels that it undercuts women’s empowerment.

However, Beyoncé’s rendition of “Jolene,” known as “Cowboy Carter,” presents an alternative viewpoint. In the song, Beyoncé issues a warning to the other person, telling them to avoid her connection, instead of pleading with them.

Naturally, a lot of people—including country music icon Reba McEntire—had comments about the matter. McEntire just chuckled when asked about Joy Behar’s remark and complimented Beyoncé on her contributions to the country music genre.

Behar praises Beyoncé’s performance of “Jolene” for its strong message, but she still maintains that Dolly Parton’s song is anti-feminist. Behar claims that Beyoncé’s rendition shows a self-assured lady who is prepared to face the difficulties in her relationship head-on.

Fascinatingly, Dolly Parton appears to value Beyoncé’s rendition of the song, which adds another dimension to this continuing discussion.

As long as people are willing to talk about it, this argument will undoubtedly continue. Undoubtedly, Joy Behar evoked powerful feelings, and not everyone finds it amusing.

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