Most of the time, humans are incredibly creative people that are always willing to express themselves through actions that mirror their inner emotions and ideas.
To better express their inner creativity, some people write, others construct things, and yet others use art. The act of creating something that other people can understand is more significant than the technique.
This is nothing new, really. We have nearly as much history of creation and construction as a species. Take a look around you and you’ll see artistic touches in almost everything that people have created, including simple city planning, food, clothing, and architecture.
Therefore, it should not be shocking that so many of us decide to use our own skin as a canvas.
I am speaking of tattoos, which for the past few millennia have been deeply significant in a wide variety of civilizations throughout the world. Although in the past some communities disapproved of tattoos, they are now more commonly recognized as a way for the wearer to show their individuality and soul.
Although this differs from person to person, most people who choose to have tattoos consider them to be significant in some way. Words or phrases that really resonate are prevalent, as are signs and symbols indicating a passion or interest.
The notion that the majority of tattoos have a meaning is possibly what makes this so fascinating. To put it another way, they may offer a clear or hazy window into the owner’s thoughts.
Now, it’s crucial to keep in mind that this doesn’t always imply good things. Some people wear emblems that the bulk of society despises with pride. Some people have tattoos, which could be a clear warning indication.
As an illustration, take the three-dot tattoo, which is often believed to have a direct connection to the Russian penal system. You may not be familiar with the three straightforward dots in a line that we’re talking about here, but you’ve probably seen or at least heard of people with facial tattoos—many of whom have a criminal history.
Regardless, I was… and I felt it would be great to spread the word about the meaning in case you ever come across someone sporting this kind of tattoo.
In short, the three-dot tattoo has many symbolic connotations and typically represents devotion, secrecy, and the duration of a person’s prison sentence. The actual marking, which is frequently applied to the left hand, is said to have its origins in Buddhist symbology. The dots are meant to symbolize a rejection of violence and wickedness; they are said to represent the three wise monkeys who see no evil, hear no evil, and say no evil.
The three-dot tattoo is really more frequently associated with the Russian prison system, as it is regarded as a mark for extremely serious offenders. A person with three dots may have spent up to thirty years in prison because each dot is meant to symbolize ten years of incarceration.
The three-dot symbol is another way that criminal groups can utilize their members to identify themselves. In these situations, others may interpret the tattoo as a threat or warning.
Having said that, it’s crucial that you follow your gut and exercise common sense when deciding how to respond if and when you come across someone who has a three-dot tattoo in person.
Some people may get it inked on them for cosmetic reasons without having any connection to illegal conduct at all. Some might have undergone reform and rehabilitation, making them less dangerous than they previously were.
Although it’s usually best to avoid making snap judgments, at least you’re maybe a little more prepared now!
She made waves in Hollywood with her blond hair & blue eyes, but look at her now
Kathleen Turner rose to fame in the 1980s as a result of her strength and beauty; many consider her to be one of Hollywood’s most beautiful actors.
Over the years, the actress has faced numerous challenging and favorable situations, and her perseverance has carried her through them both.Kathleen Turner was raised in a home with four other children, despite her difficult past.
She and her siblings were raised in both Venezuela and London. When she was a little girl, she tragically witnessed her father’s sudden death when he was mowing the lawn of their Hampstead house.
A month following his passing, the foreign service ejected Kathleen and her family from the United Kingdom. In Springfield, Missouri, where everyone was still grieving for their father and their previous home, Turner relocated her family.
Finally, Tuner felt at peace after moving to New York to pursue an adult acting career. Her major break came when she was hired as the femme fatale in the 1981 film “Body Heat,” despite her success on stage.
Turner was offered the opportunity to co-star with Michael Douglas in the well-known “Romancing the Stone” three years after sharing the screen with William Hurt. During filming, Douglas was going through a difficult divorce from his wife Diandra, and he started to feel a connection with Turner.
We were intensely flirting and exchanging intense, yearning glances as we were falling in love. Kathleen remarked, “Then Diandra came down and reminded me he was still married.”
In the end, she wed Jay Weiss, the movie’s real estate developer, in 1984. Soon after, the couple welcomed their only daughter together. October 14, 1987, was Rachel Ann Weiss’s birthday.
Regretfully, when the couple started parenting their daughter, their relationship started to fall apart.
“I would demand extended weekends or additional passes from the film studios so that my spouse and daughter could visit me. However, I felt bad since there was a feeling in the marriage that all the work was on his end. It terminated for a few reasons, including that. I began to experience extreme oppression. Kathleen said, “I thought, ‘Hang on a minute, you’ve done very well out of being married to me also.’”
When Turner played Martha in the 2005 Broadway production of “Who’s Afraid of Virginia Woolf?” their marital problems came to a head. Turner became incredibly busy performing in eight shows a week, and it seemed Weiss didn’t want to spend any time with her at home.
During that time, Turner was nominated for a Tony Award for her portrayal of Martha, and the two got along well.
The actress was nominated for an Oscar in 1987 for her role in “Peggy Sue Got Married.” She went on to produce several films in the 1980s, including three blockbusters starring Michael Douglas.
But in the 1990s, Kathleen experienced a medical setback when her neck locked, making it impossible for her to turn her head. Additionally, the swelling in her hands prevented her from using them.
Kathleen stated, “It was crippling.” When something is gone, even for a little while, you stop taking it for granted. What I took for granted was my athleticism, my capacity for forceful movement, and my freedom to move however I pleased. I had a genuine identity crisis when I lost that: “Who am I if I can’t do this?”
She was diagnosed with rheumatoid arthritis, which is characterized by swelling of the lining of our joints, and this was the tragic reason for her circumstances. Managing chronic pain caused by this illness can be difficult.
Kathleen remarked, “When it was first diagnosed, I was terrified because they said I’d be in a wheelchair.” “I reasoned that I couldn’t act if I couldn’t move. Not everything I want to do is act. I was destined for this. It’s present throughout my entire life. The most terrifying aspect was the thought of not being able to accomplish it, together with the ongoing discomfort.
Kathleen took drugs and alcohol to ease her pain. Her habit of drinking vodka led her to faint during dress rehearsals for plays such as the 2002 stage version of “The Graduate,” even if they made her job simpler.
The actress really checked herself into rehab after the show concluded, and it was found that she was not an alcoholic. Instead, she was told to just remember to take more notes on when she took her medications and any unfavorable side effects.
The actress now does pilates and yoga to help her stay flexible and manage her discomfort.
The famous person began to focus more intently on her career in theater while also improving her pain management. As she grew older, she largely returned to her roots, even taking the lead in a stage production of “Cat on a Hot Tin Roof” in her forties, even though she still worked sometimes in film and television.
“It was a little foresight on my part of which I am justly proud, because I knew that the better roles as I got older would be in theatre, which is absolutely true,” Kathleen remarked.
By focusing on the theater, the actress has had more time to pursue her passions, which include working for Planned Parenthood of America and volunteering for Amnesty International.
For most of her life, Turner has been an ardent feminist who has devoted her life to helping other women. Gloria Feldt’s 2008 biography of the actress, Send Yourself Roses, captures her thoughts perfectly.
As women, we are the first generation to achieve financial independence. Women are returning to the workforce, stated Kathleen. They’re redefining who they are. I believed I could contribute to that, even more. It therefore contains a great deal of philosophy as well as my personal beliefs.
What are your thoughts on Kathleen Turner’s difficult yet fruitful journey? Tell us in the comments below!
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